Collector Profile: Max and Gabby Germanos
While many private collectors like to seek out the work of emerging artists, Max and Gabby Germanos buy the work of mid-career artists partly because they recognise there’s a need to support them.
James Erskine: Kicking Goals
James Erskine became an accidental gallerist when he had to decide what to do with a large space underneath the premises of his thriving sports management business.
John Pule: Time Will Tell
Throughout his career, John Pule has developed his own language of motifs and figurative elements anchored in the history and mythology of his birthplace Niue, an island country in the South Pacific.
Peter Daverington: The bewildering spectacle
Peter Daverington adeptly makes use of a wide range of pictorial languages in his art. For him, it’s like looking at life from multiple viewpoints simultaneously.
Lisa Uhl: The roots run deep
Jane O’Sullivan talks to Lisa Uhl about her passion for painting the distinct desert walnut trees of her family’s stories.
Artist Profile: Alex Seton
Over the last few years, Alex Seton has through his marble works engaged in one of the most hotly debated Australian political issues of recent times – asylum seekers.
Arlo Mountford: A Path Less Travelled
Arlo Mountford’s animated works reconceptualise an understood history of art by asking us to look at what we know and experience it in new and unexpected ways.
Azadeh Akhlaghi: An eye witness in Iran
Azadeh Akhlaghi’s photographic works are a compelling and enduring response to Iran’s past, capturing moments in time in a vivid and exceptionally present way.
Juz Kitson: A Fine Balance
Juz Kitson uses the grace and elegance of fine porcelain to depict grotesque and abject subjects. She explores the brutality of nature, decay and intestinal and sexual parts of bodies.
Diane Mossenson: Turning 21
Helen McKenzie talks to veteran art dealer Diane Mossenson about the changes she has witnessed in her 21 years in the trade and what she sees for the future of the Aboriginal art market.