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CURRENT ISSUE CONTRIBUTORS

Lucinda Bennett is the 2017 curatorial intern at Dunedin Public Art Gallery prior to which she was a curator at The University of Auckland’s Window project space. She is based in Aotearoa. Kate Britton’s current curatorial concerns centre around queer theory and practice, and the dialogue between writing, text and contemporary art. She is a Sydney-based writer and curator. Claire G. Coleman is a Noongar woman who writes fiction, essays and poetry while (mostly) travelling around the continent now called Australia in a ragged caravan towed by an ancient troopy. Dr Thea Costantino is an artist and writer who works in the School of Media, Creative Arts and Social Inquiry at Curtin University. Laura Couttie is an independent writer, editor, curator and arts administrator based in Melbourne. Ineke Dane is interested in overlaps between architecture, politics, society and the environment. She is a curator currently based in Brisbane where she works with the international studio Urban Art Projects. Micheal Do recently curated Soft Core, a travelling exhibition for Casula Powerhouse Arts Centre and Not Niwe, Not Nieuw, Not Neu for 4A Centre for Contemporary Asian Art in Sydney. Briony Downes has worked in the arts for more than 20 years as a writer, actor and art theory tutor, among other things. Dr Andrew Frost is an art critic, broadcaster and lecturer. Robert Fyfe is a photographer based in Perth. Rebecca Gallo’s practice is an exploration of material culture, driven by a curiosity about both the stuff we surround ourselves with, and what we will leave behind. She is also an arts writer. Sebastian Goldspink is a Sydney-based independent Curator specialising in emerging art, and the director of ALASKA Projects. Professor Sasha Grishin has published 17 books and more than 1,000 articles. He is an emeritus professor of the school of literature, languages and linguistics at the Australian National University. Jo Higgins consults on peer-led gallery education practices and arts partnership projects. She is also a writer, editor, researcher and project manager. John Hurrell is the editor of EyeContact and is a New Zealand-based writer, artist and curator. Victoria Hynes has been a columnist for the Sydney Morning Herald and written for numerous Australian and international art magazines. Based in Sydney, she is currently contributing editor at Asian Art News magazine. Jane Llewellyn, a former editor of Art Collector, is based in Adelaide. Jacquie Manning is a photographer based in Sydney. Louise Martin-Chew is a freelance arts writer. Helen McKenzie conducts international art tours for Art Collector subscribers and readers and works out of Sydney as an art adviser and freelance writer. Hayley Megan French’s practice encompasses painting, writing, curating and collaborating and is underpinned by the difficult exploration of the idea of landscape; how this constructs, informs and redefines an understanding of ourselves. Joanna Mendelssohn is an art historian specialising in Australian art. Carrie Miller is a freelance writer based in Wollongong. Tai Mitsuji holds a masters in art history from the University of Oxford. He has contributed to publications including Art and Australia, Art Monthly Australasia, Art Guide Australia and The Sydney Morning Herald. Based in Sydney, he also works as a curator. Jane O’Sullivan has written for publications including the Australian Financial Review, Artnet, Art Guide and Ocula. She is a former editor of Art Collector. Stephen Oxenbury is a Sydney-based portrait photographer specialising in art and artists. Naomi Riddle holds a PhD in Australian Literature from the University of New South Wales and is the founding editor of Running Dog. Zan Wimberley is a photographer who works in the arts, photographing art documentation, portraits, performance and more across Melbourne and Sydney. Chloé Wolifson writes about contemporary art and ideas for publications including Art + Australia, Art Monthly Australasia, ArtAsiaPacific and Frieze. Coen Young is a Sydney-based artist.