Back issues
Issue 22
oct - dec 2002
PricelessSusan McCulloch-Uehlin introduces the bush melon stories of Minnie Pwerle.ObituariesSusan McCulloch-Uehlin honours two great Indigenous Australian painters, Clifford Possum Tjapaltjarri and Ginger Riley MunduwalawalaFeaturesSmart ArtOur annual feature on great art buys for under $2000 suggested by critics and writers from around the country:
Jenny Bell, Merrick Belyea, Pat Brassington, Eugene Carchesio, Nadine Christensen, Aleks Danko, Michael Doherty, Stuart Elliott, Emily Floyd, Michael Harrison, Annie Hogan, Michael Kutschbach, Jan Learmonth, Ruark Lewis, Norma Macdonald, Archie Moore, Nyurapayia Nampitjinpa, Caitlin Reid, Arlene Textaqueen.
Primavera 2002: Art for a post-critical eraMichael Hutak speaks to the curator of 2002 Primavera, David Broker.The artist, the dealer, the collector and the previewJenna Price offers valuable tips on buying the work of in-demand artists.The 2002 Melbourne Art Fair: A biennial art blastStephen Naylor comments on the significance of what has become an important event on the nation’s arts agenda.Curating by intuitionCurator of the University of Sydney Union collection, Nick Vickers, has a good eye when it comes to buying art writes Terry Ingram.The Myer Report: What collectors need to knowMichael Hutak comments on how the highly anticipated recommendations of the Contemporary Visual Arts and Craft Inquiry will affect collectors.profilesArtist: Elisabeth CummingsThe invisible woman of Australian art John McDonald profiles a quiet achiever with unwavering ambition for her art.
Collector: James Erskine - The serious business of collecting artCarrie Lumby meets a Sydney businessman with a very personal approach to collecting.Dealer: Charles Nodrum - Countercyclical CharlesFashion has never influenced this Melbourne collector and dealer writes Ashley Crawford.Collector’s dossier: Roger Kemp - Universal cyclesAndrew Frost chronicles the art and spiritual life of one of Australia’s foremost abstract painters.